Our Collection

The QUT Art Collection has a unique and colourful history which has shaped our values and philosophy to the current day. The Collection was founded on the desire to foster the visual arts within the community – both as a teaching resource and part of the institution's civic responsibilities.

The Collection expounds an adventurous commitment to contemporary art with many works dating from the 1960s onwards. Comprising more than 3000 objects, the Collection today includes paintings, sculpture, ceramics, and works on paper, chiefly by Australian artists, but a small group of international works, mostly prints, augments the holdings. A focus area of the Collection is the William Robinson collection of works that numbers over 320 objects.

Search the Collection

More than 980 artists are represented in the QUT Art Collection. Our online database currently includes only the works of William Robinson. Search the Collection to discover more than 320 artworks by this celebrated Australian artist. More artists will be added soon.

Search the Collection

History of the Collection

Established in 1945, the Collection precedes the Art Museum by 55 years. It developed organically from the disparate collecting activities of a number of vocational education and technical training institutions in Brisbane. Acquisitions were often based on selections from staff, including significant individuals such as Betty Churcher, Mervyn Muhling and William Robinson. As such, the artworks collected during the 1960s and 70s reflect the distinct personalities of different individuals, as well as the practical constraints of collecting and displaying works within small teaching institutions.

These early collections were rationalised in the early 1980s following several institutional mergers. In 1990, the resulting collections, now more substantial in quality and depth, were brought together under the unifying patronage of QUT. As a tertiary institution that is still relatively young, and with a reputation for being nimble and adaptable, QUT seeks to build a unique Collection that reflects the diversity and agility of the institution. It aims to fill a void in Australian art collections, rather than mirroring the collecting patterns of other institutions. QUT's Collection is an important thread in the fabric of Queensland as well as national art collections – it is one part of a broader story of Australian art.

QUT is committed to growing and strengthening the Collection each year through an acquisitions program that includes purchases and gifts. Acquisitions that build on existing strengths, fill prominent gaps, and contextualise existing holdings take precedence. Rather than amass a large general collection, the Museum continues the tradition of building one of modest scope, where only the finest works are acquired based on principles that value excellence, individuality and exceptional skill as integral components of the visual arts and creative achievement.

Aboriginal and Torres Strait Islander Warning

We respectfully advise Aboriginal and Torres Strait Islander peoples that this site may include images, or intellectual property, that may be of a sensitive nature.

Collection gallery

Click to open image  - A brightly coloured abstract ceramic sculpture.
Click to open image  - A sculpture of seven brightly coloured steel rectangles protruding from the wall.
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Click to open image  - A colour illustration of a kangaroo overlaid on a pastoral scene depicted in blue-and-white, similar to those found on decorative dinnerware. The picture is framed in an ornate gold frame.
Click to open image  - Ink and gouache painting of people and animals in various pastel hues.
Click to open image  - Painting of a map of an island surrounded by sea, with text depicting Indigenous place names.
Click to open image  - Abstract landscape drawing in pastel
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Click to open image  - A pair of brown leather dress shoes on white wooden mount. Below the shoes is a wooden plank with lettering that reads \'Upper Cross St 1983\'.
Click to open image  - An acrylic painting on canvas, in which small burnt-ochre-coloured dots form abstract lines and patterns against a black background.
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Click to open image  - A portrait of an adult with long hair holding a young child. Both figures are nude and depicted faintly against a bright yellow background.
Click to open image  - A black and white ink drawing of a standing nude woman. Her mouth is open wide as if she is yelling, and watercolour pigment is flowing out of her mouth, down to her feet.
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Click to open image  - Colourful wool and acrylic yarn sculpture of a duck mounted on a metal stand.
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Click to open image  - A framed square painting rotated 45 degrees so its corners point straight up, down, left and right. The painting is made up of fine white dots on a mostly black background, like a view of a starry night sky.
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Click to open image  - An oil painting of a woman in a white silk dress and bare feet, shown from the shoulders down, seated on the ground with her legs extended to one side.
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Click to open image  - Watercolour painting of a landscape with a large body of reflective water in the centre, and cattle grazing on the grass.
Click to open image  - Collage of strips of torn paper
Click to open image  - Abstract painting with a watery wash of pigment in varying shades of brown. There is a black dotted line running horizontally across the centre of the work, and a dotted white twisting line in the lower right quadrant.
Click to open image  - Geometric abstract watercolour painting in red, blue and brown
Click to open image  - A sculpture of tightly packed eucalyptus twigs against a white background
Click to open image  - Tall stoneware pot with brown glazes applied in abstract brushtrokes